Author: Damn Ugly Photography
Get Ready…
Video of the Day
This is pretty great. Aimee Mann did a shot-for-shot remake (with John Hamm as the Director!) of ‘Til Tuesday’s ‘Voices Carry’ to her new single, ‘Labrador’, from this years Charmer album…
You just gotta love Mountain Goats drummer Jon Wurster as the scummy boyfriend and brief shot of Ted Leo in a fright wig!
Spending A Day In Wine Heaven
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As a wine geek, getting a call from Adrian Delucca asking if I wanted to spend a day photographing Tom Ryder in his World-Class wine cellar, made me extremely happy that I do what I do for a living. Tom has been the President of American Express Publishing, CEO of Readers Digest and was the Chairman of the Magazine Publishers of America, and over the years has amassed a truly amazing wine collection. He was writing a feature for Barron’s that discussed how the bottom has fallen out of the wine collecting (as an investment) market and told his own story of when he auctioned off a small portion of his own cellar. As part of the process, he had the auction house appraise the wines he wanted to sell and was shocked to learn that the 1,000 bottles he was looking to divest would ‘only’ fetch between $70,000 – $100,000…but if he were to sell only three Magnum bottles of his 2005 Romanee-Conti he would get roughly the same $100,000! It was my job to show him with those three bottles of very pricy DRC. Here’s how it went…
Nick and I started by stacking up cases of his very best Grand Cru Burgundies that would be our posing table…
…and then cleaned up the background a bit…
Nick enjoying the view from the stacks…
…but Tom fit the mood a bit more…
Because of the tight quarters in the cellar, we were kind of limited with what we could do, lighting-wise, but we pulled off a nice, warm and dramatic look with only two lights…an Elinchrom 39″ Mini Octa high and to the right of the camera, and a Ringlight…that’s it!
Our final select, with the three Magnums of DRC valued at $100,000 (and those messy cases behind him cleaned up in post )…
And here’s how it looked in the magazine…
Alec Baldwin Is Santa Claus
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In the Dreamworks Holiday Blockbuster, Rise of the Guardians, Alec Baldwin is lending his (Russian-accented) voice to Santa Claus, and in a bit of cross-promotion, David Baratz at USA Weekend called upon me and the crew to shoot him for the cover of their Holiday Tech Gift Guide. So a few weeks ago, we turned a room at the Crosby Street Hotel into our studio and brought a bit of Christmas to Soho…here’s how it went down…
Since it was a Christmas cover, I figured it was OK to dress up the set with a few Xmas lights…
Even though we knew we would only have Alec for maybe half an hour, my stylist, Cynthia Altoriso, pulled together a stunning array of clothes, including a couple of $7,000 Brioni burgundy velvet jackets (that unfortunately didn’t get worn)…
Since the idea of the cover was to have Alec plugged in to the tech gifts, he worked with the few props that played on that metaphor…
…and here are the final images…
Merry early Christmas!!!
Where Has Damn Ugly Gone?!!
Relax…relax…I know I’ve been incognito!
The ongoing project of moving the Damn Ugly World Headquarters has proven to be a much more daunting task than we ever could have imagined and with that, updating the old blog has certainly suffered. But never fear, we’ll be back with a vengeance come Monday morning!!!
Digging Deep Into The Archives
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I got a frantic message the other day from Silvia Nieto, editor in chief of the Sunday magazine for Spain’s “El Mundo” newspaper. The Magazine was doing a feature on assassinations and they had somehow stumbled across a story I did for Life Magazine in 1989 on infamous guns of the 80’s that included the guns used to shoot President Reagan and John Lennon. She desperately wanted to use my gun ‘portraits’. It’s not that I had forgotten about these photographs, but I certainly hadn’t done anything to put them out there, either. So I headed downstairs to the file cabinets and pulled folder #65…
For a lot of reasons, I found that assignment incredibly depressing, but especially photographing the Lennon gun. I don’t know too many people of my age who weren’t deeply affected by John Lennon’s murder and the idea of holding the gun that killed him was not exactly one of those things anybody would ever think possible. But when I arrived at the New York City Police Department Ballistics Lab…in one of those typically dreary looking NYC Police buildings…I was surprised at how nonchalant the attitude was about me photographing the gun. I was led to a small, dark room with a metal table and a couple of chairs. It had the look and feel of every interrogation room from every cop movie you’ve ever seen. Shortly afterwards an officer came in and simply handed me a plain brown envelope and told me to just let him know when I was done. Then he left. I opened the envelope to see the gun, but there was also a smaller evidence envelope inside. It contained two .38 caliber slugs that were found during the autopsy. Both had passed through Lennon and were found trapped in his jacket. And both had bits of flesh embedded in the jagged tears of the deformed lead. It brought tears to my eyes. I just wanted the job to be over. I set up my lights, shot maybe ten sheets of film, and got the Hell out of there.
The Reagan gun shoot couldn’t have been more different. Getting access took all the weight and political capital a magazine like Life has at their fingertips. The gun was in the hands of the FBI in Washington, stored in a massive limestone fortress. After passing through layers of security, I ended up in a sterile ballistics facility surrounded by lab techs and watched by an agent the entire time. The gun was presented in a sealed ziplock evidence baggie. I couldn’t touch it. It had an evidence tag attached to the trigger guard. It couldn’t be removed. The agent had to position the gun under my lights. I absent-mindedly reached out to move it a fraction of an inch and his beefy hand grabbed my wrist. I didn’t try to move the gun again. I remember thinking how small it was. It was just a shitty .22 caliber. Cheap looking. Toy-like. So bloody small and so fucking deadly.
So thanks to Silvia for stirring up memories buried in the files for a couple of decades…
NBC Green Screen
Song of the Day
RICHARD HAWLEY
Down in the Woods
DOWNLOAD:Down in the Woods
Richard Hawley is probably destined to be one of those over-talented Brits who never cracks the American market, and that’s really a shame, ‘cuz he’s awfully damned good. Back in the 90’s he was in the Britpop band Longpigs before hooking up with Jarvis Cocker’s Pulp, but on his own, Hawley has released seven truly inspiring solo albums. And while he’s probably known as being more of a rockabilly-styled singer, his latest album, Standing At The Sky’s Edge…with walls of fuzzy feedback, processed vocals and dark lyrics…is downright psychedelic. And for a guy who’s said he’d “never, ever been interested in fashion or being fashionable”, he’s put out a very hip record. Head on over to his website to check him out, and here he is doing ‘Down in the Woods’ live on Jools Holland’s show…
In Case You Were Wondering…CEO’s Are VERY Busy!!!
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I logged another CEO Spotlight for Barron’s a few weeks back when Adrian sent us to shoot Bob Benmosche, the CEO of AIG. As usual, the drill is we get told The Boss is extremely busy and I will only be allowed five minutes to get everything I need in the can. I typically take the ‘five minutes’ as shorthand for we hafta be quick, but this time I knew we had no wiggle room. Benmosche was going to shoehorn us in between an earnings statement conference call and a Town Hall Meeting, so his schedule was carved in stone. There was going to be very little time for small talk, but I know how important it is to come away with a portrait that shows the subject’s personality. Obviously, with such little time to shoot we had to have our setups nailed down when he showed up. Here’s how it went.
The CEO Spotlight is formatted as a full-length portrait on white, so on this day we turned the top floor of the AIG building…with it’s 18-foot ceilings and Million Dollar views…into our studio…
That gave us our feature opener…
We also did a second shot where I used my Ghetto-Flos in the hallway area directly behind where we had the seamless set up…
…which gave us this…
…that morphed into this after a wee bit of Photoshoppery…
And we were done…in five minutes.
The Doctor Will See You Now – Sanjay Gupta For Prevention Magazine
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It took a while, but my friend Marybeth Dulany finally called me with a gig over at Prevention Magazine. I used to work for Marybeth a lot back in the days of ‘Rosie’ magazine, but once that folded she moved on to ‘Health’ where my particular style wasn’t a good fit. She ended up at Prevention last year and now she had something kinda cool…a profile of Dr. Sanjay Gupta for the July issue. The Damn Ugly crew made the trip down to Industria and here’s a bit of our day with the Doctor…
We started with a white setup for some cover stuff. Cate Sheehy was styling…
…and Marni Burton handled makeup…
We even did a bit of off-set/artificial portrait stuff that made it into the story…
I also set up a canvas backdrop that had a nice, terra cotta look to it…
I got to use my new 5-foot PLM umbrella for the first time…what a great light! I was really impressed at the quality of light and how large the coverage was. It was set up about 15 feet away from the subject and kicked out an open, but still contrasty light that gave me a wonderful shadow.
Finally, since it was such a nice day, Marybeth asked if we could do a few outdoor shots, so we fired up a 600-B and hit the street…
Marybeth was very happy…
And here are the final pages…
Soccer by the Pool with Olympian Megan Rapinoe
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Stacey Pleasant offered me a fun gig a few weeks ago. She produces a series of advertorials for McDonald’s that runs in Sports Illustrated and they wanted me to shoot Megan Rapinoe, a mid-fielder on the United States women’s national soccer team that’s going to London for the Olympics. Megan was gonna be in town doing some P/R and had very little time available for a shoot, so Stacey arranged to do everything at her hotel, the Dream Downtown. The advertorials are single-page interviews with the athletes and formatted in such a way that there has to be a lot of clean space around the person in order to run the type over the background. For our purposes, the options for locations at the hotel were limited, but we were offered the swimming pool area. Both Stacey and I figured using the pool as a clean backdrop would work perfectly for the type…but we didn’t know about one of the main design features of the Dream’s pool…
Portholes!!! Hundreds of little (and a few BIG) portholes at the bottom of the pool! Well…we were locked into the location, so I was just gonna hafta deal with that later…right now we had to start shooting!
While Marni worked on Megan…
…Ben stood in so we could pick an angle on that pool, but without the sun things were looking kinda flat…
Megan’s a pro…she immediately understood the Damn Ugly Photography aesthetic…
And as if by magic…a few frames into the shoot the Sun came out…and all was right with the World. We decided to still keep the full-CTO filtered bare head we set up for a Sun-like skim camera left, ‘cuz it added a nice warmth to the highlight created by the real Sun…
But as good as that looked, I still had to deal with all those portholes…a few hours and a lotta mouse-clicks later, and the shot was now ready for type…
The final page…
With the pool shot in the can, I pressed for a couple of minutes more to do a second shot. Immediately to the left of the pool was a wall clad in Stainless-Steel that could be kinda nice. The natural light was a little flat, so we threw on the ringlight which gave us a hot highlight that ran vertically through the middle of the shot…
That looked like Hell, but once we got the available/strobe balance down, we had a little fun…
The final image…and that ringlight added a nice, smoky highlight rising off of her…
The issue hit the stands this week. Good luck in London, Megan!
The 2012 Barron’s Roundtable Mid-Year Report

First off…I’m gonna thank Timothy Archibald for getting me off my ass and back on the blog! He wondered aloud on his own blog the other day about how facebook might be causing a lotta guys like me to slack off on our blog duties, so thanks T.A.
Now, back to business!
My twice-yearly Barron’s cover story on the meeting of their Round Table participants popped up a couple of weeks back, so just as I did for the Black Board cover back in January, here’s a little behind-the-scenes on how we put together the cover for Part 2…
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Since we only have about two hours to shoot all ten Roundtable members individually for both covers and all the inside photos for the two issues, we have to have our two sets nailed down pretty tight. And because we decided on the very complicated Black Board set for the January cover, the Mid Year cover set had to be somewhat simpler. Barron’s Photo Editor Adrian DeLucca and I came up with the idea to use arrow props that would be held to illustrate the Up and Down market trends and pose everyone on white around a few cubes…
Once we got all ten members shot, now I just had to assemble them into believable groups for both the cover and the inside opening spread…
…the final spread had most of those red arrows changed to blue…
…and for the cover we went without props altogether…
See y’all next January…
Where is Damn Ugly Photography?!!
Thanks for all the cards & letters expressing concern for my health and well-being, but yes…I know…I haven’t exactly been burning up the interwebs with pithy comments lately! That’s ‘cuz there has been a lot going on here at Damn Ugly, not the least of which involves an impending move of the World Headquarters. But we’ll be getting back on the horse…PRONTO!!! In fact, I will prolly drop something later today…
Smithsonian Magazine Goes to the Museum of Math
Hot off the press, my portrait of Glen Whitney, the Director of the Museum of Mathematics, is in this month’s edition of Smithsonian Magazine. I went down to DC a while ago and saw Molly Roberts…the Photo Editor at Smithsonian…and she said it would be perfect for a new feature section they were starting that profiled “Big Ideas”.
You can check out the story HERE!
Song of the Day
SOPHIE BARKER
Say Goodbye
DOWNLOAD: Say Goodbye
Remember Zero 7…??? Of course you do…who didn’t have the album Simple Things on the top of their iTunes list when it came out?!! It practically defined the entire Chillout genre of music. As luck would have it, Sia got crazy famous because of ‘Destiny’, but for some reason the same didn’t happen to Sophie Barker who sang lead on ‘In The Waiting Line’. But Sophie’s had three solo albums of her own material, the latest…Seagull…was released in the UK late last year, and even though you can pick it up on iTunes, it hasn’t had any kind of publicity over here. However…since ‘Say Goodbye’ has been dropped on a bunch of music blogs recently…it showed up in my email box this morning…I’m thinkin’ it’s about to get a stateside release soon. You can follow Sophie on her website or over on facebook
There Is No Photoshop Easy Button…
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Over the past few weeks you didn’t have to look too far to find an online review claiming how spectacular the new Photoshop CS6 upgrade is and how it’s gonna make everything you photograph so much better…but all I could think was no matter how easy the software engineers at Adobe make image editing by adding fancy new filters, content-aware tools or sexed-up widgets, none of that amounts to beans if you don’t have the smarts to envision the final result in that pile of mush that occupies the space between your ears. And it reminded me how I recently had to put some of my Photoshop smarts to good use and ‘fix’ a less than ideal situation when I was shooting the Annual Report for Philadelphia-based Glenmede…using Photoshop CS3, no less…
I had gone down to Philly a few weeks before the shoot to scout the location…Lenfest Hall at The Curtis Institute of Music…and on the day of the scout it was bright and sunny and would give us the perfect light & airy backdrop for the Management Committee photograph…
Problem was, on the day of the shoot, those 30-foot high windows gave us a view of Philly at it’s darkest and rainiest…
That’s when it became pretty clear I had to figure a way to let Photoshop brighten things up and get me to where I needed to be.
Here is the unretouched original, straight out of the camera…
The first thing I did was slide a new floor under everyone that was shot separately using a 16-second exposure…
For the next step, I figured the hardest thing I would hafta do would be to blow out all the detail in the windows to give the impression of it being a sunny day…but then things even got more interesting…the layout changed! My client wanted to know if it would be possible to give them more space on both sides of the group. Now this wasn’t something I had planned for, but if James Cameron can make the Titanic come to life I guess there had to be a way to generate a whole mess of information that didn’t exist…right?!!
I had some empty frames I shot after everyone had gone that I could use to clone the wood trim under the windows, but the real test would be adding perspective-correct banks of windows on both sides of the frame…that had me working well after midnight. Then I had to fake the entire right side of the piano, remove the rolling wheels under the piano, erase the clock and lighting panels from the back wall, and then turn on the sunbeams, add a little overexposure flare and brighten up those windows…
For the final step, I adjusted the color balance, heightened the Curves and Levels, and amped up the contrast with a High Pass Filter layer…
To see a larger version of the animated GIF at the top of the post that shows all the steps, click HERE
American Photography 28
The Winner’s Gallery for American Photography 28 went live yesterday, and my portrait of Macy’s CEO Terry Lundgren was among the images chosen. My shot can be seen HERE.
Song of the Day
FORT ATLANTIC
No One Will Know
DOWNLOAD: No One Will Know
Fort Atlantic is Jon Black, and Jon Black is pretty Goddamned amazing. His musical style, lyrical phrasing and voice is eerily reminiscent of Jackson Browne, with a little bit of an upbeat Jeff Tweedy thing thrown in for some Indie cred. I was introduced to Mr. Black via my regular email blast from Noisetrade, one of the better sites I subscribe to for new music. Artists can upload an album, EP, single, or live recording to distribute it completely free (tipping gladly accepted and encouraged by yours truly). Fort Atlantic is set to release their first album May 29th, but to get you interested they’re offering a 5-song EP that is quite a revelation. The first time I listened to the anthemic ‘No One Will Know’, with its surging drumbeat and pleading harmonies, it raised the hairs on my neck…
I think I have made up my mind
I think there are places that we need to go just to find…
Black has spent the past three years in his DIY home studio working on the songs that make up his debut album. When he finished recording last November, he packed up the tapes and travelled to New York to have Grammy-winning producer Tom Schick (who coincidentally has spun the knobs for Tweedy and Wilco) handle the final mix. When they were done, Schick said…
“The songs on this record are instant classics. Jon has an impressive voice and crafts beautiful songs with many great twists and turns. I love this record”.
He was right…after listening to the five tracks on the EP you come away with a warm, comforting feeling…almost like you’ve known these songs your whole life. I love this record.
You must get this EP. Head over to Noisetrade for the free download…and if you like it like I know you will, throw him a tip! Then tell all of your friends. Then visit his facebook page and LIKE him…..you’re welcome!
Song of the Day
SARAH JAFFE
Glorified High
DOWNLOAD: Glorified High
Sarah Jaffe has come a long way since she was last on The List back in 2010 with ‘Clementine’. On her new album, The Body Wins, the folky rhythms and mournful lyrics from that first record have been replaced with fuzzy sampled percussive beats, electronic pianos, upbeat melodies and a much more pop-centric feel to her songwriting. Gone too is her earthy, slacker image that featured a mish-mosh of hoodies, plaid shirts and knit caps. Judging from the cover of The Body Wins where she sports a new razor-cut hairstyle and almost military-like fashion, I’d say Sarah has been put through the record company makeover machine. But if the marketing guys thought getting a haircut was necessary to get noticed, it must be working ‘cuz even Jon Pareles of The NY Times reviewed her album yesterday. For an indie artist, that’s kinda huge. And judging from what he wrote, I’d say we’re both fans of her new sound.
You can check out more of Sarah Jaffe on her website or head over to her facebook page and hit the LIKE button.

































































































